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DISCOGRAPHY CELLBLOCK | reviews With Atrium Carceri, composer Simon Heath releases his debut Cold Meat album with a theme from deep within isolated prison walls, haunted chambers and the cerebral cortex.
Seishinbyouin is the second album from Atrium Carceri, and drags the listener on a violent journey through haunted mental asylums, ripe with the cries of the lost and the damned.
Beyond the malignant jail cells and narrow asylum walls, our hidden tormentors laugh at us from a world of smoke and mirrors. Kapnobatai, the third installment from Atrium Carceri, ventures further still into the wretched world beyond the place we so resignedly inhabit, and into the sublimely unkown.
The fourth album from composer Simon Heath (Sweden) ventures beyond the vestiges of your mortality, granting a fleeting glance at the world beyond the veil. As ever, Simon has reinvented the genre as well as himself with a unique ambience created from his ever-increasingly complex and obscure techniques of mental dissolution and musical innovation.
3 years in the making, Atrium Carceri is back with another visceral masterpiece entitled Souyuan. After careful psychological observeration of test listeners, Simon Heath has done it again - renewing the genre through careful planning and painstaking attention to each fragment and detail, however minute. With fresh atmospheres, and a depth previously unfathomable, Souyuan will amaze initiates and pundits alike with its complexity and pureness of form. Never before has the artists innermost recesses been so sublimely conveyed to any medium.
PHRENITIS | 'Phrenitis' takes the listener to a twisted place where the walls between worlds are razed. The ruinous cities of wars long past, where time itself is but a prisoner and the warlords roaming their purgatorial halls are free to destroy the very foundations of the natural order.
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